Lewis Biggs – The City as a Patron – I am the architect, this is unacceptable, this is not happening – Artists’ Strategies for Working in Public: Learning from Practice – Symposium – House of an Art Lover – GI Festival – Wednesday 25th April 2012

INTRODUCTION – Art is not solipsism, it is a social activity. Art only becomes art when there is a dialogue in place therefore it must be social. – The relationship between the patron and the artist is a social exchange as both parties have needs and/or resources. Patrons and artists need a dialogue as councils … Continue reading

Beyond Caring – Paul Graham – 1984/5 – Site – Place -Context – 2012

Paul Graham is a photographer who is well known for being one of the first to use colour photos in social documentary photographs. These images are taken from his series Beyond Caring (1984-85) where Graham travelled photographed waiting rooms around the UK, particularly those waiting for unemployment benefit. The purpose of these photos was to … Continue reading

The Turra Coo – Charles Engebretsen – 2010 – Site – Place – Context – 2012

Charles Engebretsen was commissioned by Turriff Tourism Action Group to work with the community to create a work to commemorate the famous beast of Turriff the Turra Coo in Aberdeenshire. He created a bronze cast of a cow and then treated the metal to create a white overcoat. The work is based on the original coo … Continue reading

The Royston Road Project – Graham Fagen and Toby Paterson – Signal Hut – Paul Carter – North Glasgow – Site – Place – Context – 2012

The Royston Road project was a community based project in the North of Glasgow, its aim was to regenerate two public parks into artistic spaces with artists residencies and through members of the community. The project was lead by two Artists Graham Fagen and Toby Paterson who worked with landscape artists to develop parks for … Continue reading

Foley Artist – Tacita Dean – Tate Britain -1996 – Site – Place – Context – 2012

In Tacita Dean’s 1996 exhibition she looked at sound and decided to honour the Foley Artist. The Foley Artist works in film post-production and makes sounds usually made by people using various props such as cloths and shoes filled with grit for footsteps and dropping sacks for bodies falling to the ground. The Foley Artist … Continue reading

Elpida Vasileva – Friday Event – Site – Place – Context – 20th January 2012

Elpida Vasileva is a sculptor and installation artist, she works extensively with animal matter, particularly animal skins and the beauty in them. Vasileva graduated from the Glasgow School of Art in 1996, her degree show was Re-evolution (1996). Vasileva placed a large live scotts pine in the Mac building. The tree ran up the entire … Continue reading

Garnet Hill Laundrette – Site – Place – Context – Tuesday 10th January 2012

As part of my research into our new brief I took some photos of the local laundrette. The brief asks us to explore the local community and look at how the community interacts with the area and what people make up the community. I really like the idea of a laundrette as everyone is equal, … Continue reading

Site – Place – Context – Introduction Lecture Notes – Monday 16th January 2012

FINAL OUTCOME – The work will end up exhibited in the studio, so in a gallery space. This means you must think about how to document the piece and how you could show it so the size of it if it is an object. Moreover how you use the studio space as it is also … Continue reading

Site – Place – Context – SEA Brief – Year 1 Term 2 – January 14th 2012 – GSA

Site – Place – Context This project aims to demonstrate the importance of being aware of, and understanding the multiplicity of contexts within any given site. The project is structured around four creative processes: Research, Development, Resolution and Presentation. You may develop work in any media, though this must be done within the resources introduced to … Continue reading

Martin Boyce wins Turner prize 2011 – The Guardian – Monday 5th December 2011

Martin Boyce receives £25,000 award, confirming Glasgow’s indelible importance to Britain’s art world Martin Boyce’s installation Do Words Have Voices is displayed at the Baltic Centre for Contemporary Art in Gateshead. Photograph: EPA With his quietly atmospheric, lyrically autumnal sculptural installation recalling a melancholy urban park with its metallic trees and scattered paper leaves, Martin Boyce has … Continue reading